It is Better to Run a Risk than to Shut Up / Angel Santiesteban

Correspondence between Toine Heijmans and Ángel Santiesteban-Prats

The renown Dutch writer and journalist, Toine Heijmans, a regular columnist for the national Dutch newspaper De Volkskrant, and who sponsored Ángel Santiesteban during his political imprisonment, published the correspondence they maintained during those two and a half years. He has dedicated four pages to it in the prestigious medium.

We reproduce here the photos of the printed version.

Angel’s Editor, 10 January 2015

Translated by Regina Anavy

Media Campaign Aims to Discredit Rodiles / Angel Santiesteban

Antonio Rodiles making a statement after being brutally attacked and arrested on July 5, 2015

 

Angel Santiesteban Prats, 26 December 2015 — State Security is using all the tools in its arsenal to denigrate Cuban dissident Antonio Rodiles, who is currently the most uncomfortable thorn in the side of the regime, in the court of national and international public opinion.

Rodiles is one of three organizers of the Forum for Rights and Liberties. In conjunction with the Ladies in White and other human rights organizations, the group promotes peaceful Sunday marches — demonstrations which have been causing great harm to the regime — under the hashtag #TodosMarchamos.

Following mass at St. Rita Church, the group meets — as coincidence would have it — at Gandhi Park, and walks in a peaceful weekly procession along 26th Street to Third Avenue. They do this knowing that what awaits them, Sunday after Sunday, is one of those operations mounted by the repressive forces of the Castro clan to which we have become so accustomed. Fortunately, however, images of every repressive attack are recorded, leaving no doubt as to what is really going on.

The reaction by the regime is clear evidence that Rodiles is hitting them where they are most vulnerable: the nerve center from which they have zealously maintained, for more than half a century in power, social discipline. As usual, they have used nastiness, lies and posturing in an attempt to strip him of his personal attributes, actions which have caused outrage because of the cowardice which they have been concocted.

This is a well-known tactic, one that has been used many times before on other opposition figures. The macabre plan is to first tarnish his image and, once they have sown doubt about him in the public’s mind, to then imprison him, because putting Rodiles behind bars is a longstanding dream the political police will always fight to achieve.

This smear campaign recently began after Rodiles returned from the United States, where he was invited to speak at a congressional debate in Washington on the topic of Cuba. He later met with prominent Cuban-American congressional representatives, who are calling on the government of Raul Castro to respect freedom and human rights on the island as a prerequisite for progress in restoring diplomatic relations. It is worth remembering that, upon returning home from his first such visit last year, Rodiles’ organization was the object of a cyber attack, albeit a relatively minor one.

Those maneuvering to sully human rights activists are working hard to dismantle the Forum for Rights and Freedoms. To do this, they need to get Rodiles out of the way, dismember the Ladies in White organization and remove the obstacles blocking their path to remaining in power, as they have done for nearly six decades.

If the Castro dictatorship reacts this way to someone like Antonio Rodiles, clearly it must be because he is doing something right. Persecuting him is payback for his political activism, for his constant defiance of the injustices that the regime perpetrates against those who oppose its plans.

Neither the defamations aimed at vilifying him — in essence, because of his pride — nor the entire army of followers that the terrorist state uses to harass him will be enough. Nor will plotting to achieve spurious benefits succeed in changing our standards or our ideas. On the contrary, this shameful strategy convinces us even more of the need for a clean and democratic government.

Angel Santiesteban-Prats

Havana, December 2015, “free” on parole.

#Cuba SOS: Angel Santiesteban Arrested Again (Updated)

Angel Santiesteban-Prats. Military Prison, Jaimanitas.

Just reported from Havana, that this afternoon Angel has called a relative and has said he was arrested for not having signed the Probation (order) last week and because there is a new accusation upon him.

As we do not have the details, we will wait until he can tell us himself, about his situation to not make room for speculations.

Angel’s Editor

Translated by: Rafael
4 November 2015

SOS: Angel Santiesteban Arrested

A few minutes ago I received a call from a relative of Angel Santiesteban-Prats to inform me that at noon Angel was arrested again. Upon contact with his family, they still did not know why he was arrested and what he is accused of.

He said he would call later in the afternoon and still they have no news of him.

We imagine that it is a reprisal from Castro’s regime for having denounced the life-threatening danger political prisoner Lamberto Hernández Planas is in, on hunger strike, for having been the victim of a new maneuver by the State Security to revoke his parole and prevent his work as an independent journalist.

Once again, as usual for almost three years now, we hold the dictator Raul Castro responsible for the life and integrity of Angel Santiesteban-Prats.

As soon I have news, I will keep updating.

Thanks for passing this on.

Angel’s Editor

Translated by: Rafael

4 November 2015

#Cuba Angel Santiesteban: Is Going to Jail Like Going to War?

Interview with writer Angel Santiesteban

Jorge Ángel Pérez

Jorge Ángel Pérez, HAVANA, Cuba, 23 November 2015 – Angel Santiesteban has authored one of the most outstanding works of our literature. For that, he has received numerous awards in Cuba and abroad. As a young man he won the UNEAC Prize with the book “Dream of a Summer Night,” and then the Alejo Carpentier prize with “The Children Nobody Wanted.” This title also served as the name for his blog, with which he has been expressing himself in recent years. “Blessed Are Those Who Mourn” was also prizewinner with the “Casa de las Americas award.”

After this brief recount, anyone unfamiliar with his work would say he is a “lucky one” but the truth is that he always gets what is most important: the laurel of his readers. Life in prison is one of his recurring themes. Whoever starts reading his texts will discover it from the first line in many of his narrative pieces. It turns out that he was already in jail twice, and in a bunch of police stations. About prison and his work we talk for a long time, in my house, a few days ago. And now, while I transcribe our conversation, I learned that he was nominated by Reporters Without Borders to receive the Citizen Reporter award which was just awarded to a group of Ethiopian bloggers.

Jorge Ángel Pérez

Jorge Ángel Pérez: Angel, not many Cuban writers have lived through the hell of prison for two terms. Were they useful for the writer those two stays?

Angel Santiesteban: Prison has been a rare source of “food”, describing the events I experienced, what I witnessed, turns out to be my armor. Thanks to writing I did not lose my head. I think living intensely those instants gave my writing great spontaneity. A writer of great imagination can write a great book without the need to be locked up, but we cannot deny that anyone who was there will tell it more openly …

Jorge Ángel Pérez: This is proved by your books and “Men Without Women”, by Montenegro

Angel Santiesteban: I think so. Being in prison helped me have the spontaneity and sincerity required in literature. That openness will always remain. That is why as I walked those two times to that hell, I thought of the stories I could find, how would they serve my work. To think that I was in search of material to write saved me, it made less harsh those stay.

Jorge Ángel Pérez: Finding those stories …

Angel Santiesteban

Angel Santiesteban: I found them there and they were the ones that saved me. Going to jail is like going to war. The prisoner and the soldier have much in common. The two are away from home. The two are withdrawn. Both have sexual desires they cannot fulfill. The two are under military control and that can be abusive and impose itself, often in a humiliating manner. Every day you are in danger of losing your life; in prison by the hands of a criminal and in war the enemy can kill you.

Jorge Ángel Pérez: While there you found stories that would serve you later, but the truth is you did not go voluntarily to rummage in jail and in prisoners’ behavior.

Angel Santiesteban: I went because I was led, bound. The last time I went to jail because I believed, and still believe, I could do something for my country to be better, to make it democratic. Fidel once said that a better world was possible, and I went to seek a better world, to look for that better Cuba. That cost me jail. Because I wanted to get that world I began in my house, in this country that I love. My literary teachers had told me that the important thing was to write, it was my work I should look after, the first thing was to write, and publish, get readers. Write, write and write. Many friends, and those teachers, they thought a writer does not have to do anything else.

Jorge Ángel Pérez: And don’t you think so?

Angel Santiesteban: No, I don’t think so. That’s a lie, although I believed it for many years. For a long time I devoted myself only to writing. I put together my work, I published books and keep quiet …because of fear.

Jorge Ángel Pérez: And where did you leave that fear?

Angel Santiesteban: It is still with me. It never left, but I learned to accommodate it. It never forsakes me the fear of going to jail. There you can die in an instant, and that’s terrible. Fear comes when I think that I can not be with my children and with my family at the moment they need me the most. Imagining that moment impress me a lot. It scares me to think of the possibility of they getting sick and  can not help them. My daughter did not attend college when I was arrested the last time and that made me feel responsible.

Jorge Ángel Pérez: And who was responsible?

Angel Santiesteban: Viewed in a simply way it should be me, but the real blame lies with those who arrested me. It was the unjust detention what distressed me. It was the possibility that her father went to jail again that made her sad, because of that she decided not to go to the classroom, because of that she missed the class, because of that she will have to justify her absence.

I imagine how many times she thought she would have to go back to visit the prison to accompany her father in his confinement. Who are the real culprits for her distress? Is it me? It makes me very happy she studies. I want her to graduate, and nourish her desire to study, but a young student will not feel very comfortable in a classroom knowing her father is imprisoned unjustly.

It was also distressing when I saw them coming to the prison. Seeing seventeen or eighteen kids visiting an inmate is not comforting. My first confinement had to do with my accompanying my family to the shore line when they wanted to leave the country for good. I ended up in prison, but I had no children. The last time they were grown already and they studied.

Their father was arrested for going around seeking democracy. And they knew what that could cost me.

Jorge Ángel Pérez: What is democracy for you?

Angel Santiesteban: Speaking my mind out loud and that nobody bothers me. Saying what I want and that everyone understands that this right exists and it pertain to all of us, that everyone understands that there are different ideas the ones professed by our rulers. Is it so difficult to understand that? I think it’s good to talk, and that the differences you have with those in power do not take you to jail. That’s democracy for me.

Jorge Ángel Pérez: And are you willing to talk to get this democracy?

Angel Santiesteban: Of course, that what this is all about. I can talk to a Communist if he is able to listen to me respectfully, if he allows me to act according to my principles. I have that right, although they take it from me I know I have it. I can also talk with a liberal. I can converse with those in power and those who oppose to them even though we don’t agree on everything. I wouldn’t talk to those fomenting terrorism. In that table I want to defend my right to express myself. If I have a political activity now is because I intend to find that democracy where everyone can live in, even with their differences. I would love it if in the future someone talks about me, that if I am just mentioned in one line , that’s what they say about me.

Jorge Ángel Pérez:  And about your writing?

Angel Santiesteban: I prefer it is talk before the effort I put into getting the dialogue, about my dreams of democracy, it must say that I faced those who would not let me express myself. That I want, and it must be said very briefly in just one line.

Jorge Ángel Pérez: Just recently you were arrested in a police station. Why?

Angel Santiesteban: All  I can say will be a speculation, everything would be an assumption. I don’t have the truth. I think it was something more than a threat, they intended to revoke my probation, which would take me back to jail.

Jorge Ángel Pérez: Why do you think that?

Angel Santiesteban: I was told there was a complaint from my ex-wife, the mother of my son. They showed it to me and I recognized her signature, but she told our son she had not accused me. They could forge her signature to intimidate me. I haven’t seen her in a long time, so there was not such a threat, but then (freelance journalist) Maria Matienzo went to the police station inquiring about me, and she was told I was imprisoned for armed robbery, however (Antonio) Rodiles was told the same thing they said to me; that I broke into the home of the mother of my child.

They never agreed among themselves to give the reasons for the arrest. I believe, and this remains an assumption, that it all had to do with a text I wrote the day before being arrested denouncing the imprisonment of Lamberto Hernandez Planas, where I commented on his hunger strike, the risks for his health, and I also demanded his immediate release.

Everything has to do with my political activities, my opposition. I did not threaten anyone and much less committed an armed robbery.

Jorge Ángel Pérez: What happened afterward?

Angel Santiesteban: Afterwards my son tells me that his mother had not accused me, certainly the ones who had arrested me knew, they stopped showing the alleged accusation of my ex. The next day I was taken to the provincial court. When we arrived, the police officers accompanying me wanted to know in which room the trial would be held and someone said to take me to an office. There the president of the court was waiting for me and told me that my freedom had been revoked. There was a brief silence and then she continued. She said that despite the revocation order she would set me free, and suggested that I behave, that I should behave.

Jorge Ángel Pérez: And do you think you could go to prison again?

Angel Santiesteban: Maybe, but I hope the excuse to be less dubious that the one that took me to jail last time. If they were less awkward they should send me, if there was a next time, on a fellowship in Paris or Berlin. Never to jail. That’s the worst thing you can do with a writer. Can you imagine what you could write there?

Jorge Ángel Pérez: I do not want to imagine it, it frightens me.

Angel Santiesteban: A writer will write everything he sees, everything will serve him. A criminal will hear the stories of others and perhaps they will serve him for the next wrongdoing, but a writer will analyze every detail, every gesture, every story, and then he will not be able to resist, he will write, and people will read it, people will find out what happens there.

Being in prison is like walking through the bowels of the country. Imagine that reader when reading those rotten descriptions. Everything I saw nourish that desire to write, to publish in my blog, to write stories, to do what I think is best for my country. There I wrote a lot. I wrote stories, from that stay in jail came out a novel. From the stories they told me during those hours I spent at the police station could emerge many narrative pieces. And there’s also my blog. From there I will continue telling, without stopping, without them get me to stop.

Published in Cubanet

 Translated by: Rafael

Cuba Breaking News: Angel Santiesteban Has Been Released

We still don’t know why he had been detained for 24 hours.

He will explain shortly and we’ll offer more details.

Ángel’s Editor

Translated by: Rafael
5 November 2015

More Counterrevolutionary (?) Artists Speak up for Their Freedoms (Part I) / Angel Santiesteban

 

Angel Santiesteban “on probation,” Havana, 5 December 2015 — On Saturday, November 28th, there was a meeting at the “Fresa y Chocolate” center in Havana, of the Assembly of the G-20 as they have been called, this group of twenty directors of the seventh art — which has the desire and the priority that the dictatorship accept, finally, a Film Law with which they can obtain a space of personal freedom for their art. That is, to be able to conquer creative liberties in favor of independence from the bureaucracy that has, until now, made them in their entirety bow down to the government. For all we know, so far, they have not sent the hit-men to intimidate the “G20”.

Although the Government has not yet presented its real face — because of the scandal that would arise when dealing with internationally recognized filmmakers — it is possible that they are cooking up something against this group so difficult to re-educate. So far they pretend to ignore them, perhaps betting they’ll wear themselves out.

The firefighter that the dictatorship has used in the past twenty years for these acts of insurrection, is the well-known Abel Prieto, who served once as President of the National Union of Writers and Artists of Cuba (UNEAC), then as Minister of Culture, and today, as tyrant Raul Castro’sAdviser.

But  they have worn out this character Prieto to such an extent that a large percentage of artists do not believe his words anymore and consider him a kind of Cardinal Richelieu, creator of intrigues and persecutions against those who do not abide by his directive. It is clear, there is no other character that could dialogue with this group of artists, so it would not be surprising that at some point he wears the “matador suit” and must enter the ring to face the bulls.

Public censorship in the UNEAC Congress

But returning the purpose of this writing, I should describe the events of the last meeting of the G-20, admitting in advance that the filmmakers are hostage to the so-called “Revolution” whose makers became dictatorship figures almost from the beginning. The totalitarian system maintains a tight grip on artistic production, maintaining an exhaustive and constant eye on this genre that attracts such a large audience; and because as the government knows what is at stake if it accepts granting them “independence”, it refuses to untie their hands and minds, preventing them from doing and undoing what they please with their art, because they know that soon, it would bring discredit, criticism and ridicule from art, without their being able to act against them.

The  most direct and effective effort so far, has been the attempt to expose and demand a debate at last congress of the UNEAC, when the filmmaker Rebeca Chávez proposed opening the subject and the sinister official Abel Prieto acted as a censor in the most violent and despotic way imaginable, and radically prevented the director from presenting the needs filmmakers have today.

This “Cain” in disguise as Abel, feverish for power has become today the most intransigent cop, and the more fanatical persecutor of those creators who dare to raise discrepancies with the cultural power or political power, and all this when he should be the bridge between artists and the government instead.

The functionaries commit censorship and fraud

The vast majority of those attending the Congress were offended by that political official’s outburst, from a man who was once a colleague, someone who pondered, defended and represented art in general, but the more power he has gained in the Nomenklatura the more he has been betraying the principles of commitment to genuine art. Understand that, “delegates” chosen in the congresses of the guild, are, mostly, the most “committed”,  those who, having passed through the scrutiny, and so they were unable to rebel against official orders — although they were the most unfair — and in the most disciplined of fears they remain quiet before the abuses and injustices of the dictatorship.

Film directors demand the censors show their faces

At the Assembly on the 28th of November, a fraud perpetrated in the election of the authorities of this congress was exposed, as those who got the most votes from the artists, were later replaced by the docile ones, whom they exchanged for the chosen ones in order to take to that meeting the most submissive and manipulated to lift their arms in favor of the government and, ultimately, to refuse these spaces of freedom that urge the artist and the times they live in. Replacing elected ones by the meek ones has been a common practice for years; and in some post I stated that I witnessed these frauds, where Abel Prieto pointed his finger at those who had showed him such pusillanimous attitudes.

The filmmakers, dissatisfied with the government’s attitude and its envoy Abel Prieto, decided to continue gathering to achieve their aspiration, approval of a long-awaited Film Law. And in that sense Gustavo Arcos was very specific, talking about movies currently censored by the Cuban Institute of Cinematographic Art and Industry (ICAIC), also raising concerns about the state of the national cinema, and calling for the discussion to be sustained with the counterparty which denies the Film Law.

He recalled the times that Fidel Castro met with the filmmakers “to save the cinema” and that — since the ancient dictator is no longer in power — that interlocutor who, without revealing his face, denied the necessary Film Law from the shadows should be sought, including Raul Castro, Diaz Canel and, according to some of those present, Alfonsito Borges, that grim and mediocre “administrator” of the culture who has done so much harm, and now serves as ideologist of the Party Central Committee, and demand that he answer why he considers that the Cuban films that are censored are also “counterrevolutionary” and to explain “where, how and why these films are against the Revolution, and have a dialogue with the decision makers and probably those considered counterrevolutionary: Alfonsito Borges, and I do not know the others (…).

As for me, I feel that the filmmakers have been too patient, waiting for the routine, when a plan B with stronger actions should have been in place, because that is the only way that things in this country will evidently be resolved, by forcing a discussion. I do not know how much Raul really knows about all this because I am very surprised that Abel Prieto himself, who is his adviser, opposed or at least slowed down, keeping his cards close to his chest, right there at the congress of the UNEAC, the so-called Film Law.”

And in full assembly state security appears imposing their terror (to be continued).

Ángel Santiesteban-Prats

Translated by: Rafael

More Counterrevolutionary (?) Artists Speak Up For Their Freedom (II) / Angel Santiesteban

The latest: the government’s reaction

In the midst of the Assembly of the G-20 (as a group of twenty film directors call themselves), while the filmmakers debated the need for the approval of a Film Act and continued to denounce the hairy hand of censorship with Abel Prieto as its visible creator, as recently happened against Juan Carlos Cremata, a scream alerted that State Security was trying to expel one of those present.

It was Eliecer Avila, who was attending as a member of the general public until he was discovered by an agent of the regime. When the agent entered the room to expel him, he was rebuked by some of those present, although most preferred, as usual, to keep silent, because they knew that he was one of those shadowy figures who swarm cultural institutions and is responsible to pursue, monitor and warn them, and to make them regret their “mistakes” later on.

Everyone in the room stood up and approached the door where the official from ICAIC (Cuban Institute of Cinematographic Art and Industry) and the agent of the State Security pressured Eliecer to leave the room, telling him that his presence stained what they were trying to build there.

Eliezer said he did not understand their attitude as he stayed quietly in the audience and had not even spoken about what was discussed there. The “segurosito” –little security guy — (he  wasn’t even five feet tall) responded publicly that he (Eliezer) was a counterrevolutionary and offended them with his presence at that cultural space. Eliezer defended himself saying that he was a revolutionary; his wife supported him, saying that “they were revolutionaries.”

Eliecer Avila, back right, blue shirt. Screencapturee

By that time, I had managed to approach and I said it was me who was not “revolutionary”, so before removing Eliezer they would have to remove me. Many filmmakers were amazed at the impudence with which the censor appeared before them as they debated how to end censorship. Freelance journalist Luz Escobar, berated him to read his name and the position he occupied in the ICAIC, to which he replied, “Everyone here knows me.”

Finally, Eliecer, despite assuring he was revolutionary, which didn’t matter to either the “seguroso” nor the ICAIC-official, refused to leave the room and the meeting continued with those present on their feet. They agreed, through voting, try to reach a bridge of dialogue with the pertinent state authorities.

It is unfortunate that once again they usurp spaces from artists, because only they had the right to ask Eliezer to withdraw from the room if they felt he should not be present. I guess State Security will demand that the next Assembly of the G-20 will take place behind closed doors.

However, looking at the gains from these troubled waters, I think that the presence of independent journalists has alerted the dictatorship to an understanding that the issue of the filmmakers is getting out of hand and becoming international news, and although their media prohibit publishing that information, they can not prevent us, independent bloggers, from doing it.

Hopefully our presence there has forced the dictatorship to accept that they must negotiate with the G-20 to restore what belongs to them in their own right: freedom of creation, something that never should have been seized with the justification of making a  “revolutionary” cinema.

I thought I had finished recounting the events at the Assembly, but something told me I should wait; we could expect some reaction after that altercation. And this December 3rd, TV reported a meeting of the plenary of the UNEAC (National Union of Writers and Artists of Cuba), led by the government firefighter Abel Prieto, where they pledged to “not allow artists and their spaces to converge with the counterrevolutionaries”.

Abel Prieto and Raul Castro

It was the stubbornness I expected from State Security, the Communist Party and the leadership of the Union of Writers and Artists of Cuba; the coherent response of the dictatorship to a dilemma that is getting out of hand.

I am sure that this time the “counterrevolution” which is how they call us, the ones who are fighting peacefully for freedom and democracy, will push for the necessary dialogue between filmmakers and dictatorship to finally take place.

Last minute phone call

I received an anonymous call from a “concerned” person about my likely attendance at the inauguration of the New Latin American Film Festival.

Angel: Hello, -I said.

-Unknown: Santiesteban?

Angel: Yes, speaking.

-Unknown: I am calling to give you advice -says the enigmatic character

Angel: -Ok, I am listening – I insist.

Unknown: -Just to tell you, you will not be welcome at the opening of the Film Festival.

Angel:-That does not sound like an advice, is seems more like a threat.

Unknown:-Take it as you want, but don’t regret it later.

Angel:-I will be present anywhere I please -I say upset.

Unknown:-Do not think that we will again allow you to interfere with your presence as you did at the “Fresa and Chocolate” meeting room. We do not want you at the Karl Marx Theater, neither at the opening nor at the closing.

Angel:-Well, you do your part that I will do mine. -and I hung up.

I did not want to go anyway, but it mortifies me they want to manipulate their instruments of fear.

Ángel Santiesteban-Prats

Havana, “on probation”

Translated by: Rafael
17 December 2015

#Cuba, Cubans celebrate the 17th of December. Or do they cry for it? / Angel Santiesteban

For Cubans, as long as I can remember and from the history I learned, December 17th is a sacred day in which St. Lazarus calls his devotees to the shrine at El Rincon, on the outskirts of Havana, to make promises, to thank him for favors received or to ask him for health for next year.

The General-Without-Battles Raul Castro and President Barack Obama decided to make public the resumption of diplomatic relations between Cuba and the United States — after sealing the deal with the exchange of hostages, three spies of the Group of Five who were in prison for one American hostage accused of spying for the northern country, Alan Gross, and an agent of the Cuban intelligence accused of treason — in such an important date for Cubans, and that way, tarnished the tradition, because even for the more pagan or “communist”, on this day they light a candle asking for health and prosperity for their people.

Since last year, along with the tradition there is the fatal remembrance of an agreement that brought neither prosperity nor a decent opening that shows any willingness from the dictatorship to respect human rights and move the country towards a prosperous and democratic future. It has only been observed by the US President; docility and patience, like the stability of his country would depend on that diplomatic exchange.

This year, when the day of the first anniversary of the agreements comes, we Cubans must light two candles: one for our St. Lazarus and one for the funeral of that presidential pact. The only thing that has been brought by the opening of embassies, is a new stampede of Cubans fleeing their homeland and it far exceeds that of the 1994 Rafter Crisis.

The talks between the two governments eventually convinced people that the only thing to expect is more instability and economic strengthening of the totalitarian regime. The pilgrimage of Cubans throughout Latin America is overwhelming. The latest scandal of the islanders still remains unresolved in Costa Rica; there was a bottleneck with thousands of people stranded in emergency camps because of Nicaragua’s refusal to let them pass through, preventing them from reaching the United States. We could not expect less from President Daniel Ortega, disciple of the Cuban dictatorship.

The Castro mob likes to steal important dates of national traditions. As if was not enough usurping Christmas, banning it, and noting as “counterrevolutionaries” those celebrating it, they chose January 1st as the starting date of the so-called Revolution, that is, the dictatorship disguised as populism, plunged us into the most extreme misery of all and led millions of Cubans to emigrate. Now, they desecrated December 17th, a holy day of a saint who always annoyed them because of the huge number of devotees he has.

Translated by: Rafael
18 December 2015

#Cuba Abel Prieto, Interior Minister / Angel Santiesteban

Former Culture Minister Abel Prieto, adviser to the “President” Raul Castro, has distanced himself so much from the realm of Art that today he could be the Minister of Interior since, for several years, he devotes himself to pursue creative sheep who dare to challenge or abandon the sheepfold constructed by the dictatorship to keep artists and intellectuals bowed down.

That friendly editor, devotee of “Lezama’s work,” union-based politician, president of the National Union of Writers and Artists of Cuba (UNEAC), Minister of Culture, and finally presidential adviser, has distanced himself so much from the affairs of his colleagues that today, he only responds to the imperatives of the dictatorship.

How can he forget the persecution launched against intellectual Antonio José Ponte, who he personally accused publicly, expelled him from the UNEAC and shut the doors in the culture area, to the point of making him leave a meeting of writers. Ponte’s being abroad today, it is largely due to him.

Abel Prieto, 2nd from left, next to Raul Castro, 3rd from left

The same thing happened with the writer Amir Valle: he also suffered Abel’s harassment and his name could not be pronounced in his presence. He ordered him to be excluded from all cultural events in the country. Amir also thanks Abel — largely or absolutely –for prohibiting his entry to the country upon his return from Madrid, where he traveled in 2005 to present a novel.

Recently, Abel Prieto aggressively challenged the filmmaker Rebeca Chávez during the last congress of the UNEAC, when she and some directors wanted a film law to be approved, that benefits the filmmakers and cinematographic arts in general.

He did not even care that the lady in question has supported the dictatorship for decades; nor that she was the wife of writer Senel Paz, a prestigious intellectual, and back then a UNEAC official — afterward he resigned from UNEAC —  a generational comrade and, as far as is known, his friend.

For most attendees, the aggressiveness and lack of chivalry of Abel Prieto, who completely lost his marbles, uncovered his true character and commitment to the system, turning away from the cultural issues and artists.

From left to right: Former Cuban President Fidel Castro Ruz and Abel Prieto former Minister of Culture — photo taken many years ago

In my case, he also did his part: he organized that “spontaneous” campaign to collect signatures against me among the women of the UNEAC. Alleging gender violence, they put me as a paradigm of the perpetrator knowing I was innocent, but simultaneously — this is the most painful — they became accomplices of state violence against the Ladies in White (Women for Human Rights), who systematically and publicly are subject to beatings every Sunday after Mass in the church of Santa Rita. The same attitude assumed when actress and human rights activist, Ana Luisa Rubio, faced a mob that responded to the State Security and disfigured her face in a beating.

From left to right: Current Cuban President General Raul Castro Ruz and Abel Prieto, advisor to the president (old photo)

Abel Prieto, in the presence of other artists said that I would serve the five years in prison to which I had been sentenced. Then, when on April 2015, when the deadline was met, I was denied the Probation I was entitled to, I knew he was not lying, that of being Adviser to the President was not mere investiture.

For many years, that jocose intellectual who betrayed his colleagues was assuming the role of a district chief of police. He was mutating to become another Papito Serguera in the era of Pavonato. In fact, he is a role model if you want to be boosted by the dictatorship. It may be true that saying: “When people get used to power, they do not know how to live without it, and to remain there, they accept the meanness and most desperate and deep contradictions.”

There he is for the dictator. Then he can be used for what he already is: a recruit of the Interior Ministry

Ángel Santiesteban-Prats

Havana, 20th of November, “on probation”.

 Translated by: Rafael

23 November 2015